VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y Filipu wearing the visor oil painting


Filipu wearing the visor
mk237 1628 Oil on canvas 57x44.5cm
Painting ID::  54693
VELAZQUEZ, Diego Rodriguez de Silva y
Filipu wearing the visor
mk237 1628 Oil on canvas 57x44.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Portrait of man oil painting


Portrait of man
mk237 1626-28 Oil on canvas 104x79cm
Painting ID::  54694
VELAZQUEZ, Diego Rodriguez de Silva y
Portrait of man
mk237 1626-28 Oil on canvas 104x79cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Clown oil painting


Clown
mk237 1628-1629 Oil on canvas 175.5x106.7cm
Painting ID::  54695
VELAZQUEZ, Diego Rodriguez de Silva y
Clown
mk237 1628-1629 Oil on canvas 175.5x106.7cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Philosopher oil painting


Philosopher
mk237 1628-29 Oil on canvas 101x81cm
Painting ID::  54696
VELAZQUEZ, Diego Rodriguez de Silva y
Philosopher
mk237 1628-29 Oil on canvas 101x81cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Villa oil painting


Villa
mk237 1630 Oil on canvas 44.5x38.5cm
Painting ID::  54697
VELAZQUEZ, Diego Rodriguez de Silva y
Villa
mk237 1630 Oil on canvas 44.5x38.5cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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